Or: How to throw it all away in one episode.
I have to wonder what the hell was going through the minds of the writers behind that finale, taking every point the show had been trying to make and tossing all of it in the garbage in favor of one of the hardest left turns I’ve ever seen. All KADO had to do was end well and I would have given it a 10/10 and Best of the Season, because that’s how well it was going throughout. It was a show I was really, really eager to watch more of every week. But a show as complex as this one can be totally unraveled by a terrible ending, unfortunately. Strong themes, fantastic character writing and deep philosophy don’t mean a damn thing if the show decides that none of it matters in the end.
I do however want to give credit to a few people working on this show for outstanding contribution: Tyler Walker, the ADR director, for absolutely fantastic visual effects throughout, and Mao Ichimachi for the theme song, which eschews the trend of synths and fake guitars to create something much more moody and appropriate for the tone of the show’s first eleven episodes.
5/10. What a disappointment.